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Please welcome Ted Kosmatka to The Qwillery. The Flicker Men was published on July 21st past Henry Holt and Co.

TQ: Welcome back to The Qwillery. The Flicker Men, your nearly recent novel, was published on July 21st. Has your writing process changed (or not) from when you wrote The Games (2012) to now? What is the most challenging thing for you about writing?

Ted :  Well, I wouldn't say that my process has inverse. I outline the books before I write them, but and then the outline ever changes halfway through, and by the time I get to the end, it'southward unremarkably a different book than I expected. The Flicker Men was no different. I really concluded up writing my manner into a corner a few times and had to throw out a lot of material before I constitute the correct path. The most challenging affair nearly writing is being okay with throwing out the stuff that'southward not working. A lot of times, it seems like good writing, so in that location's this resistance to just cut it, only if it doesn't serve the larger story, it has to go.

TQ: What do you wish that you knew nearly book publishing when The Games came out that you know now?

Ted :  Honestly, my mother was a writer before me, published by Baen, then I had a pretty expert idea of what the publishing industry was like before I broke in. At that place weren't a lot of things that took me past surprise. My path to publication was dissimilar from hers, though, and I nerveless rejections for years before finally gaining a foothold with short fiction in magazines like Asimov'south and Fantasy & Science Fiction. Information technology wasn't until I'd been reprinted in seven or viii Year's Best anthologies that I managed to sell my first novel. Our terminal names are the same, but I don't call back a lot of people realized that my mother was my mother.

TQ: The Games, Prophet of Bones (2013), and The Flicker Men are thrillers grounded in science and science fiction. What appeals to y'all about writing in this combination of genres?

Ted :  As a kid, I'd always been drawn to the sciences. I was peculiarly interested in genetics, anthropology, and physics, because these disciplines seemed to be asking the big questions. Who are we? Where do we come from? What is this life? When I got older, it was just natural for me to write stories based on my before interests. I recently stumbled across a story that I wrote in the 2d grade, and it stunned me, because I realized that it was exactly the kind of story I'd exist drawn to write now, as a twoscore-year-onetime. I hateful, hopefully I'd write it better now, but the subject affair still felt like something I'd be interested in. I haven't really changed. I likewise stumbled across this little clay Human being erectus skull that I'd made in middle school, so I put it on the shelf next to the museum quality replica of a Homo floresiensis skull that I'd just bought the previous yr. It was and then strange to see those two skulls side by side. Like the ane had predicted the other. I gauge y'all never actually lose your obsessions.

TQ: Tell us something near The Flicker Men that is not found in the volume description.

Ted :  The book took me 2 solid years to write. To me, the whole matter is similar this big, sprawling scientific proof, and I was struggling to make the equations balance as I wrote it. I had this feeling, almost, that that the story was something that had to be solved. My long-suffering editor, Michael Signorelli, was amazing, and deserves numerous editorial awards for all his advice, and guidance, and patience. He put up with a lot of different drafts and helped me find my way out of the weeds more than once.

TQ: Which character in The Flicker Men was hardest to write and why? Easiest and why?

Ted :  The characters really came fairly easily to me in this book. (Information technology was everything else that was hard.) They were e'er right at that place at the tip of my fingers when I needed them. I loved writing Satvik, and Jeremy, and Point Machine. The main character, Eric Argus, was also pretty piece of cake to get downwardly on the page. I worked in a lab for a long time, and then I understand what it's like to role in that kind of environment. I could relate well to all the lab characters. The character Brighton was a blast to write. Writing unlike characters is a keen way for me to contend with myself and figure out what I actually retrieve well-nigh a subject, and this book has a lot of opportunities for that.

TQ: Which question about The Flicker Men do you lot wish someone would ask? Inquire it and answer it!

Ted :  Well, I'll tweak that question a chip, and instead of answering the question I wish folks would ask, I'll answer the question that I've been asked over and over since the original short story "Divining Calorie-free" came out (and from which the novel was expanded). The question I always get is, where does the real science end and the science fiction begin? At that place's a place in the book where I talk well-nigh the "stepping-off point," and that's actually the identify where the novel ventures into unknown territory. I don't know what would happen if that item experiment in the volume were run in real life. Writing the novel was my way of thinking about that experiment and coming upward with 1 possible world where things have a dark plow.

TQ: Please give us one or ii of your favorite non-spoilery lines from The Flicker Men.

Ted :  There's a bit of dialogue that I really like.

"The more than inquiry I did, the less I believed."

"In quantum mechanics?"

"No," I said. "In the world."

TQ: What's side by side?

Ted :  More books, hopefully. I take another novel that I'grand in the early on stages of now, trying to figure out where it goes. I as well have four new brusk stories forthcoming. Ii at Asimov's mag; one at Lightspeed mag; and one at Fantasy & Science Fiction. I let myself write short stories betwixt novels, and then it'south been a prissy burst of action, but I call back it's fourth dimension to go back to novels again soon.

TQ: Thank you for joining united states of america at The Qwillery.

The Flicker Men
Henry Holt and Co., July 21, 2015
Hardcover and eBook, 352 pages

"If Stephen Hawking and Stephen King wrote a novel together, you'd get The Flicker Men. Brilliant, disturbing, and beautifully told." -Hugh Howey, New York Times bestselling writer of the Wool series

A quantum physicist shocks the world with a startling experiment, igniting a struggle betwixt scientific discipline and theology, free will and fate, and antagonizing forces not known to exist.

Eric Argus is a washout. His prodigious early work clouded his reputation and strained his sanity. But an former friend gives him another chance, an opportunity to step back into the light.

With iii months to produce new inquiry, Eric replicates the paradoxical double-slit experiment to see for himself the mysterious dual nature of calorie-free and matter. A elementary just unprecedented inference blooms into a staggering discovery virtually human consciousness and the structure of the universe.

His findings are celebrated and condemned in equal mensurate. Simply no i can predict where the truth will lead. And every bit Eric seeks to empathise the unfolding revelations, he must evade shadowy pursuers who believe he knows entirely too much already.

Almost Ted

Ted Kosmatka was born and raised in Chesterton, Indiana and spent more than a decade working in various laboratories where he sometimes used electron microscopes. He is the author of Prophet of Basic and The Games, a finalist for the Locus Award for Best First Novel and one of Publishers Weekly's Best Books of 2012. His short fiction has been nominated for both the Nebula and Theodore Sturgeon Memorial Awards and has appeared in numerous Year'south Best anthologies. He now lives in the Pacific Northwest and works as a writer in the video-game industry.

Website ~ Twitter @TKosmatka ~ Facebook

Novels

Prophet of Bones
St. Martin's Griffin, July 22, 2014
Trade Paperback, 368 pages
Hardcover and eBook, Apr ii, 2013

Ted Kosmatka's sensational new thriller, Prophet of Bones, thrusts readers into an alternate present.

Paul Carlson, a brilliant young scientist, is summoned from his laboratory job to the remote Indonesian island of Flores to collect DNA samples from the aboriginal basic of a foreign, new species of tool user unearthed by an archaeological dig. The questions the discover raises seem to cast incertitude on the very foundations of modern scientific discipline, which has proven the world to be simply 5,800 years erstwhile, simply before Paul tin fully grapple with the implications of his find, the dig is violently shut down by paramilitaries.

Paul flees with two of his friends, yet inside days ane has vanished and the other is murdered in an attack that costs Paul an eye, and very nearly his life. Back in America, Paul tries to resume the comfortable life he left behind, merely he can't cast the questions raised by the dig from his mind. Paul begins to piece together a puzzle which seems to threaten the very fabric of order, but world's governments and Martial Johnston, the eccentric billionaire who financed Paul'south dig, will terminate at nix to silence him.

The Games
Del Rey, January 29, 2013
Mass Market Paperback, 416 pages
Hardcover and eBook, March 31, 2012

Jurassic Park meets The Hunger Games in this stunning new loftier-free energy, loftier-concept tale from kickoff-time novelist Ted Kosmatka, a Nebula Award and Theodore Sturgeon Memorial Laurels finalist.

NAMED ONE OF THE All-time BOOKS OF THE Year BY PUBLISHERS WEEKLY

Brilliant geneticist Silas Williams oversees U.South. selections for the Olympic Gladiator contest, an internationally sanctioned bloodsport with only one rule: No entrants may possess human Dna. Desperate to maintain America's edge in the upcoming Games, Silas's superior engages an experimental supercomputer to design the ultimate, unbeatable combatant. The result is a highly specialized killing machine, its genome never earlier seen on earth. Simply even a genius like Silas cannot anticipate the consequences of allowing a computer'south cold logic to play God. Growing swiftly, the mutant gladiator demonstrates preternatural strength, speed, and—most chillingly—intelligence. And earlier hell breaks loose, Silas and beautiful xenobiologist Vidonia João must race to understand what unbound scientific discipline has wrought—even equally their professional curiosity gives way to a nearly unexpected emotion: sheer terror.


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Source: https://www.theqwillery.com/2015/07/

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